Kingkool wrote:What if a computer programed another computer to create a masterpiece?
And by your logic, if there is a god then they are the one that created the Mona Lisa, and any other work of art, music, ect..
My logic isn't one of referring back to an ur-creator of something to give mastership of the thing to a distant originator.
My logic is one of looking as what it is that makes a masterpiece a masterpiece (greatest work in a craftsman's oeuvre, a work giving the best expression of a craftsman's accumulated skill and perseverance) and applying it to discern the artist.
To say that a person designs a robot which is in some way capable of creating a brilliant work (not yet achieved, but in theory this may be possible), the robot in the scenario is more like the artist's brush or the sculptor's stone, with the "mastership" clearly belonging to the artist who has consciously decided on the form and parameters for the artwork and who has spent many hours in the design and refinement of such a machine.
There's no sense talking about a robot-artist, and it's not clear to me in what way the matter is valuable to philosophy.
P.s.Derrida talks balls.