Papus79 wrote: ↑October 2nd, 2021, 10:27 am
John_Jacquard wrote: ↑October 2nd, 2021, 10:06 am
Yes, I'm exploring everything I can get me hands on basically.
We might have some of the same aggregators.
I tend to bounce between Curt Jaimungal's TheoriesOfEverything and Brian Keating's channel. Rebel Wisdom and Stoa can be good when they have Daniel Schmachtenberger, Samo Burja, Jordan Hall, or Jamie Wheal on, and there are some others in that complexity and sense-making space who are interesting as well.
The TOE, exploration of physics, and political GameB spaces all seem to hold a lot of interesting material and in particular I'm really hoping that GameB makes some serious headway in terms of dreaming up smarter regulation that's a lot less blunt than waiting until Google and Facebook eat everything to ask 'should we give them the old early 20th century trust-busting?' (IMHO wrong response and way too late).
Absolutely, I agree with that .
I am interested in exploring anything intelligible.
And also I'm my own work I'm interested in more abstract representation.
For instance in my interdisciplinary information systems theory work.
There is a abstract level of detail .
A relationship between a computational toe and geometric toe .
There are these metaphor abstract symbols and patterns a set of relationships between them which seem to occur that exact way independent of the scope of reality or its scale of detail.
But , why should that be the case ?
( IF physicalism and materialism are the best approximations )
There seems to be no grounds for metaphor being so prominent in the structure of reality if the scientific pursuit of materialism and physicalism ( although incomplete) are the best models of reality .
( in terms of differentiating between reality and imagination or fantasy each moment of existence in our thought process )
I'll make one point of this.
In the musical framework of 12 tone equal temperament.
You have 12 equal spaced notes .
( arbitrary which exact hz each note is even though A =440hz in culture )
Now this is the initial conditions 12 equal spaced notes
( like a clock on a wall )
And many octaves repeating after the 12th note .
We have our initial conditions .
Now there are 4 distinct languages in 12 tone e.t.
Tonal music language ( functional harmony)
Modal music language
Polytonal music language
Atonal music language.
Each one of these languages has a different deep level of meaning , they work entirely different way .
Yet these 4 languages express every possibility of what can be done with harmony in 12 tone e.t.
Finally, within each distinct language ( which has its own deep level of meaning that all surface level is based on)
There are specific vertices where all 4 languages connect into one unifying fractal , or holographic harmony .
Now , mapping out all the relationships of symbol representing a pattern of information of meaning for each language ,
( reductionism)
Then subsequently connecting the relationships of each language to the vertices of the others into one unified
Fractal harmony ( holism)
Creates an entire framework which describes
( in full specificity )
Every possibility.
Meaning , full meaningful explanation of every 12 tone et song which has ever been written or that can ever be written in the future. ( * only within the 12 tone e t. System )
[ a combination of a full computational model and geometric model as one unified toe of 12 tone e.t.
Here is the significance though .
Getting into the very specifics of the information ,
The surface level structures ( symbols )
Representation a pattern of information ( meaning and purpose )
Through the use of free will .
All these structures and relationships found within this context.
Are the same structures and relationships which work the same way in every context of reality and scale of detail of reality .
Meaning there 3 levels of detail .
The abstract
The specific
The possibilities
I'm still working in this area in terms demonstrable information.
Creativity through free will is at the heart of all of this .
( free will meaning a function of the context )
Because you have the computational and geometric full models that maps out every possibility .
However, the way the information manifests itself ,
( for example in a specific song )
You have all the possibilities ( which are reality)
You have all the computational and geometric information
Then using freewill you create a boundary of space time
Meaning creation of specific music a song a melody .
You are using three components .
Harmony ( which is the information above the blueprint)
Melody
Rhythm
Creating a boundary of spacetime and using Rhythm
( placement of a specific note in a place at a specific time for a duration ( in multiple dimensions because its not just a sequence of single notes )
Combination of three main elements
Harmony
Melody
Rhythm
By using free will to create a specific ( actual song)
You are plucking out of every possibility a intentional creation.
All these relationships and functions exist at every situation of reality and at all scales of detail .
Why should that be the case?
Because ( in the scope of this comment and example )
" Music ' is a specific type of simulation of reality .